Painting as a Resonant Space
Some things only become visible when they are already beginning to slip away. A mood, a thought, a memory, a sensation. For a moment, something appears — without being fixed.
Threshold Moments Between Control and Letting Go
This simultaneity is what interests me: how something emerges and shifts, how density and dissolution touch, how attention arises and moves on. My painting comes from such threshold moments.
I work with layers, lines, open fields and traces of earlier decisions. Something is placed, overlaid, hidden or revealed again; what disappears often remains as a trace within the image. This is how works emerge that do not offer a finished answer, but open a state: between control and letting go, proximity and distance, visibility and retreat.
A painting, for me, is not a fixed object we simply face. It changes with the gaze, with the light, with the room in which it is placed. Its effect also arises between image, environment and viewer.
Pictorial and Architectural Space
This is where my relationship to space begins. I do not think of painting as a decorative element. A work may bring something of its own to a room: stillness, depth, resistance, breath or a new attentiveness.
In spatial settings and commissioned works, I am interested not only in the room itself, but in the life that unfolds within it. I am drawn to spaces that feel considered — where light, materials, proportions and personality resonate with one another. With my paintings, I can enter into this resonance and help shape it: not through adaptation, but through a precise placement with its own presence.
Pictorial Spaces refers to a way of thinking about painting: as an open pictorial space — a place where transformation leaves traces and perception begins to move.
If you would like to experience my works in person, I would be happy to welcome you to my studio. In direct encounter with the paintings, their spatial presence often becomes fully perceptible.